| Lesson
Four Picking
Adjacent Strings Part Deux |
|
Major
and minor triad arpeggios can be used to great effect in solos in
a variety of ways. They lend themselves to thematic playing, and can
be used to reharmonize chords in a way that is easy for the player
to conceive and the listener to hear.
Sounds great to me! Where do I sign?
Hold on a second.
The catch is: triad arpeggios are challenging to play on the guitar.
This can be overcome with a little practice, starting with this excercise: |
|
 |
Play this triad on the
D, G and B strings first; then the A, D and G strings. Practice
this with a metronome so that you don't slow down on the difficult
parts and speed up on the easy ones. I would start with quarter
note = 60. |
|
| On
the G, B and E strings the left hand fingering will be completely
different: |
|
 |
| After
practicing on three strings, add the octave on top (for the lower
fingerings): |
|
 |
Until
next time,
AG |
| Next
Lesson: How to use triad arpeggios in solos |
| Ask
a question about this lesson |
| Lesson
Archive |