JAZZ GUITAR TECHNIQUE — BASICS ONE • Learning the Neck

To improvise freely on the guitar, you need to be able to play the same idea in many different places on the neck. Otherwise, you could find yourself playing at the twelfth fret, hear an idea that you only know how to play at the fifth fret and not be able to execute it.

First, you must know where all of the notes are at all times. Then you need to learn every possible location for everything you play – scales, chords, arpeggios, you name it.

While you will undoubtedly develop your own favorite ways to play things, knowing all of the possibilities allows you to make choices.

Beginning guitar technique usually involves learning scales and arpeggios "in position." Improvising freely, on the other hand, necessitates being able to move quickly from position to position, in effect eliminating the concept of playing "in position" altogether.

Follow the string (below notes) and finger (above notes) indications to get the intended benefit.

 

BASICS TWO • Picking

Your picking hand needs to produce the desired volume and emphasis for each note you play. Having this control not only gives your playing confidence and authority, but helps develop good time.

To gain this control, there are several things you need to do:
Practice with a metronome. Always use a metronome when you practice. A metronome tells you one thing only: how fast you're going. It doesn't help you swing or be more creative – it just plays the pulse. Practicing with a metronome reinforces the idea of playing everything in time. You can emulate a drummer's hi-hat by placing the metronome on beats two and four. If you want to play with a backbeat, put the metronome on beat three. If you are reading something for the first time, set the metronome at a tempo that is slow enough so that you can play without mistakes.
Play simple rhythmic ideas. Playing a simple rhythmic phrase with the metronome will help give your playing a solid feel and develop assertiveness with your picking hand. To practice this technique: Hear the metronome on all four beats (at first). Play the following phrases in order, starting with #1. Play each phrase for 5 or 10 minutes at a stretch, or until it "locks in" and really feels solid. Do this daily , and over a short span of time you will start to notice that your picking hand has developed more authority.

 
Next: Cross-String Studies
 
INTRODUCTION 6
How to Use This Book 7
Suggestions for Practice 8
A Quick Discussion of Fingering 9
BASICS 10
I • Learning the Neck 10
II • Picking 12
CROSS-STRING STUDIES 14
Two-String Exercises 15
Three-String Exercises 21
Two and Three Bar Phrases 27
Three and Four-String Arpeggios 32
Phrases and Patterns Across Three and Four Strings 36
TRIADS 48
Major Triads Across Six Strings 50
Minor Triads Across Six Strings 52
COMPLEX RHYTHMS 54
ADVANCED STUDIES 62
PHRASING 74
Accenting Exercises 76
Phrasing Exercises 79
GRABBING CHORDS 82
LINES AND CHORDS 92
ETUDES 96
APPENDIX (90 Reasons Why You Need Good Technique) 108
CHECK IT OUT (A Selective Discography) 110