Voice leading is the
stepwise movement of notes from one chord to the next within a chord
progression. This motion creates a sound of inevitable resolution
between chords, and is an integral part of western music. It should
also be an integral part of comping. Voice leading is what makes
comping sound like music, as opposed to a series of random chord
voicings.
Based on the way most
guitarists learn chords, and the unique layout of the neck, voice
leading is not the most obvious thing to do on the guitar. Guitarists
traditionally learn that chords are made up of a combination of
fingers, frets and strings. Voice leading, on the other hand, requires
looking at chords as a specific group of notes played simultaneously,
rather than “grips.” These notes then connect to notes
in the succeeding voicing, etc. For this reason, voice leading necessitates
being able to play chords in the same area of the neck, without,
for instance, having to jump from the third fret to the tenth and
back.
To learn voice leading,
start with familiar chord forms and move the notes within them in
stepwise motion to notes in corresponding forms. This is more easily
accomplished at first with three-note chords than with four or more
notes present.
With this in mind,
it is often advantageous to leave out the root at the bottom of
the voicing. Also, since most group situations involve a bass player
taking care of the root function, it's not necessary for you to
play it, especially in the lower register. If the absence of the
root makes some of the chord voicings unrecognizable or difficult
to hear when practicing, add it to the voicing where possible. When
playing in a group context however, try leaving it out. |
|
| When
voice leading through a ii-7 V7 I Maj7 progression, the most common
in Jazz, the notes follow a pattern of motion from chord to chord.
(The skill gained from working with this basic progression can be
applied to all progressions.) For most chords, the 3rd and 7th provide
the necessary information to make the sound recognizable; adding the
5th creates another path of resolution. In the following examples,
each of the three voices is first isolated, then shown in context
of the voicing. The roots are omitted. |
|