Here's
a CD I recorded (but never released) way back in 2003. You can hear 3 complete tracks at my myspace music page.
Andrew
Green Guitar
Arthur Kell Bass
Matt Wilson Drums
Russ Meissner Drums track 5,
The
Tunes
Quincunx
Quincunx
(kwnkungks) n.
1. An arrangement of five objects with one at each corner of a rectangle
or square and one at the center.
2. A catchy even 8ths tune.
Bye
Bye Blackbird
the Dixon-Henderson standard is given a more open, rubato interpretation.
And still swings.
AFU
is based on the Brazilian afuche rhythm. In this case cross-bred with
country western and japanese koto. And insanity.
Blues
starts
with guitar and drums mixing it up, then goes into the form. It's
true. I wouldn't kid about something like that. Really.
New
Tune
is
taken from an exercise on page 61 of Jazz Guitar Technique. Great
men borrow; geniuses steal. Andy steals from himself.
is
a guitarist residing in New York City. A professional musician since
the age of 15, he has played with such jazz luminaries as Donald Byrd,
Billy Hart, Joanne Brackeen, Winard Harper, Mat Maneri, John McNeil,
Chip Jackson, Matt Wilson, and Ralph LaLama, among others. He also
like, wrote some books, or something.
Arthur
Kell
has
played with Thomas Chapin, Bobbie Previte, Billy Bang, Mark Feldman,
the Microscopic Septet, Marc Ribot, Steve Cardenas, Bruce Barth, Tom
Rainey, Jay Clayton, Jeff Williams, Ben Monder, and Ethan Iverson,
to name a few. He leads an excellent quartet of his own. And I'm not
just saying that because he's such an excellent cat!
Matt
Wilson
is
one of the most creative musicians on the planet and is too much fun
to play with. Really. For this reason, and maybe a few others he has
been employed by Dewey Redman, Lee Konitz, Buster Williams, Andrew
Hill and too many great jazz players to possibly list on one tiny
Web site. His own recordings for Palmetto Records are tremendous as
well.
Russ
Meissner
is
a tasteful and sensitive drummer whose talents are on display with
many groups of diverse styles all over the greater New York metropolitan
area.
Recorded
at Park West Studios April 1 and May 21 2003
Engineer: Jim Clouse
Produced by John McNeil